midcentury offerings

Our friends over at MIDCENTURY MAGAZINE are taking their first steps into the world of retail this December by way of a ‘Perfect Present’ advent promotion. They've partnered with mid-century classic brands and individual designer-makers working with mid-century prints and patterns to offer a series of one-day exclusive discounts on a select set of products and design classics. Over the coming weeks the products will be available to buy via their website - solely through links they'll post each day on TWITTER and FACEBOOK, and via an email to those on their mailing list.

Expect to see links to the likes of STELTON, DAVID MELLOR, KAY BOJESEN DENMARK and SHEILA BOWNAS to name but a few.

So what are you waiting for?  Sign up, click the links … have yourself a merry midcentury Christmas!

* This is not a sponsored post.

FISKEBAREN

photos via SPACE Copenhagen

I have a secret list of eateries I'd like to frequent on the off chance I happen to find myself in the right place at the right time. And FISKEBAREN, a gourmet fish restaurant located in the old meat packing district of Copenhagen - I'm thinking SMITHFIELD but with beautiful people - is somewhere I'd quite happily while away an evening should the opportunity ever arise.  I found this snippet in The New York Times giving directions to a nearby art gallery which sets the scene perfectly ... "enter the low-slung industrial complex called Kødbyens (literally, Meat City), stroll down the street called Slagterboderne (Butcher Stalls) … and amble across Flæsketorvet (Pork Square)".  And once you're through the door, well, what a treat.  All that black and white coupled with all that austere stainless steel.  And then there's the utilitarian nature of the tiling, the distressed woodwork, exposed plaster and those old hanging hooks.

I love the look and feel of this place so much I only wish I ate fish!

What do you see?

photos by Petra Bindel for Herman Miller | styling by Lotta Agaton

I know, I'm late to the party with this one. A few months ago my PINTEREST feed was awash with these images as was just about every blog I cared to visit. Interestingly - and this is more a reflection of the feeds I follow and the blogs I tend to read - these pictures made the headlines because of the styling, or rather the stylist, and not necessarily because of the chairs.

The interior stylist in question is LOTTA AGATON, and back in February I got wind she was heading over to Michigan to work with none other than HERMAN MILLER.  I couldn't wait to see the results. Why? Because I wouldn't have necessarily put these two names together.

Last year Lotta styled STRING for their stand at DESIGN JUNCTION. I went along for a gander, and standing there surrounded by Lotta's props made me feel like a child in a sweet shop.  There was so much to see. The shelves went up and up and each one was meticulously filled with complementing paper goods interspersed with desk lamps and odd, but always interesting, curios. The palatte was simple. White. With a bit of neutral thrown in for good measure.  It was fascinating.  Did I notice the String? No, not really.  But then I wasn't there for the STRING.

Lotta Agaton working for STRING, or STRING working with Lotta Agaton I get. The shelving system was after all designed by fellow Swede Nils Strinning.  And shelves are supposed to have stuff on them, that's what they're for.  So it makes sense I suppose to show the shelves off with, well, stuff on them.  But chairs?  I mean the most inticing of chairs is an empty chair.  An empty chair is an open invitation, it says what it needs to say, which is nothing more than 'sit here'.  But a HERMAN MILLER chair, an iconic chair, a design classic … no styling required, surely?

I'm happy to see the chairs have been left to speak for themselves. The 'new' fibreglass shells which HERMAN MILLER is once again able to produce thanks to new production methods look as good as the original designs by Eames from way back when.  And while these 'reissues' are a little too new for my vintage tastes, there's no denying that set against these calm yet equally atmospheric backdrops they certainly look the business.

As for the styling, it's as subtle as it is Scandinavian. I adore the use of plywood and the hints of a set design to the left or right of shot. And the moods created by the deep green and that melancholy grey. And the sprinkling of statement accessories such as the 265 wall lamp by FLOS, posters by PLAYTYPE and the BERGMAN LIGHTS as well as the interesting bits and bobs which may up the desk top displays.

So I admit it … I admit to being drawn in by the impeccably styled nature of these images.  But it's the furniture that holds my gaze.

CH33

Photos via The Line

I'm glad someone at CARL HANSEN & SØN decided to reintroduce the CH33.  Designed by Hans Wegner back in 1957, the CH33 was produced for ten consecutive years before being taken out of production.  I wonder what prompted the original chair's fall from grace when it's shape and overall aesthetic is so synonymous with that of the era?  But its reintroduction is testament to the longevity of Wegner's original design, and provides the perfect fall back position for the vintage seeker who has thus far found the original CH33 to be somewhat of an elusive creature.

Texture

Photos via Vincenzo De Cotiis Architects

And boom, just like that I return with these breathtaking images of a private residence in Brescia designed by VINCENZO DI COTIIS.  Those walls.  That furniture.  I'm not entirely sure if I could live in this space 24/7 but I'd be willing to give it a go.  And if it didn't work out, I'd tuck a few (read all) of those La Fonda chairs into my suitcase and leave without a trace!